Forging the Past Decoding the Present, Catalyst Contemporary, Baltimore, MD
2021
2008
2005
2004
2002
1997
1994
1993
1992
1991
1989
1988
1984
1981
The Mechanics of My Existence, Villa Julie College, Stevenson, Maryland
The Cup and Three Quarters, The Art of James von Minor, Academy Art Museum, Easton, Maryland
The Three Quarter Series, Gallerie Francoise e.s.f., Lutherville, Maryland
A Decade of Drawings and Diagrams, Wilson/Bismark Gallery, Baltimore, Maryland
Push Pin Drawings, Maryland Art Place, Baltimore, Maryland
Gomez Gallery, Baltimore, Maryland
Gomez Gallery, Baltimore, Maryland
Gomez Gallery, Baltimore, Maryland
Gomez Gallery, Baltimore, Maryland
Gomez Gallery, Baltimore, Maryland
G.H. Dalsheimer Gallery, Baltimore, Maryland
G.H. Dalsheimer Gallery, Baltimore, Maryland
Towson State University, Towson, Maryland
Wilson College, Chambersburg, Pennsylvania
JAMES VON MINOR
James von Minor, Slip Chord #5, Oil on wood, 2011, 13 x 13 inches
JAMES VON MINOR
BIOGRAPHY
Lives and works in Baltimore, MD.
1953
MFA The Pennsylvania State University, State College, Pennsylvania
BFA Colorado State University, Fort Collins, Colorado
Resides
Education
Born
James von Minor is a Maryland-based artist who is internationally known for his paintings, drawings, constructions, and sculptural installations. In his work, abstract, organic forms integrate into geometric patterns and shapes. These seemingly opposite styles depend on a delicate juggling act of balance, shape, color, and pattern. Humans are predisposed to look for dualities as an organizing principle; for every idea there is a counter idea. But von Minor suggests that this is an artificial concept in need of deconstructing. He has dedicated his lengthy career to uncovering ways to move beyond the limitations of that dualitybased thinking. The inspiration for his work is the Islamic architecture of southern Spain in which strict, rational, logical geometries are coupled with decorative, organic calligraphy and plant forms. In his work, von Minor unifies concept and experience, as well as the geometric and organic. In addition, the artist questions the nature of painting, drawing, and sculpture. Most of his work merges qualities of all these classical approaches: the paintings are sculptural, sculptures are painterly, etc. von Minor blurs these boundaries to construct a new union of pattern and organic abstraction.